Paul Cezanne
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“Paul Cezanne (January 19, 1839 – October 22, 1906) stands as a notable French artist and a pivotal Post-Impressionist painter whose contributions reverberate through the transition from the 19th century’s artistic paradigms to the groundbreaking landscape of 20th-century art. Cezanne occupies a significant juncture, linking the realms of late 19th-century Impressionism and the emergent artistic exploration of the early 20th century, notably embodied by Cubism. The profound attribution, echoed by both Matisse and Picasso, that Cezanne is “the father of us all” resounds with undeniable truth.
Cezanne’s artistic legacy is a tapestry of design mastery, color intricacies, compositional finesse, and impeccable draftsmanship. His brushstrokes, often imbued with sensitivity and exploration, carry a distinct signature that is instantly recognizable. Employing planes of color and minute brushstrokes, he ingeniously weaves complex fields that convey both the immediate sensations of the observer and an abstract essence distilled from the natural world. These artworks mirror Cezanne’s relentless dedication to studying his subjects, a gaze that delves deep and an unyielding struggle to unravel the complexities of human visual perception.
Born in the quaint southern French town of Aix-en-Provence on January 19, 1839, Paul Cezanne, often hailed as the progenitor of modern art, embarked on a journey to craft an unparalleled synthesis of naturalistic portrayal, personal expression, and abstract pictorial harmony.
His childhood comrade, Emile Zola, who would later gain fame as a renowned novelist and literary figure, shared Cezanne’s burgeoning artistic interests. This inclination, however, posed challenges within his affluent family. The year 1862 marked a significant turning point as Cezanne, amidst familial discord, received a modest allowance to pursue art studies in Paris, a path also tread by Zola. In the thriving Parisian art world, he gravitated toward the avant-garde, aligning his admiration with the romantic painter Eugene Delacroix and the trailblazing Gustave Courbet and Edouard Manet, whose realist creations defied convention and norms of the era.
Cezanne’s early works were characterized by moody, expressive tones and fluid pigments that echoed the romantic expressionism of previous generations. Parallel to Zola’s dedication to realist novels, Cezanne forged a commitment to portraying contemporary life, capturing the world in its unadulterated state without succumbing to thematic idealization or stylistic artifice.
Camille Pissarro, a recognized but yet undiscovered painter, emerged as a pivotal influence during Cezanne’s formative years. Nestled in a rural enclave outside Paris, Pissarro not only provided the encouragement Cezanne sought but also introduced him to the impressionist technique, a revolutionary approach to rendering the interplay of outdoor light.
Side by side with painters like Claude Monet and Auguste Renoir, Pissarro honed an approach that involved rapid, plein air execution on a reduced scale. This technique captured fleeting natural effects and the artists’ emotional states in sync with the ever-changing landscape. Guided by Pissarro, Cezanne’s artistic evolution unfolded rapidly during 1872-73, as he transitioned from somber tones to vibrant hues, focusing on pastoral landscapes and rustic villages.
While his technical prowess was sometimes overshadowed by fellow impressionists, Cezanne earned acceptance within the group and showcased his works alongside theirs in exhibitions during 1874 and 1877. However, commercial success often eluded the impressionists, and Cezanne’s pieces received their share of critical scrutiny. Gradually, he distanced himself from Parisian circles during the late 1870s and ’80s, dedicating substantial periods to his hometown, Aix. Post 1882, his collaboration with Pissarro waned. Embittered in 1886 over what he perceived as veiled references to his failures in Zola’s novels, Cezanne severed ties with his longstanding supporter. Simultaneously, he inherited his father’s wealth in the same year, gaining financial independence at the age of 47 while remaining a figure of isolation in social circles.”
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Paul Cezanne A Modern Olympia
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Paul Cezanne Autumn Landscape (Paysage d’Automne)
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Paul Cezanne Bathers. Paul Cézanne Les Baigneurs.
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Paul Cezanne Black Castle (Chateau Noir)
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Paul Cezanne Chestnut Trees At Jas De Bouffan. Châtaigniers au Jas de Bouffan.
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Paul Cezanne Curtain Jug And Fruit. Rideau Cruchon et Compotier.
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Paul Cezanne Forest. Forêt.
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Paul Cezanne House And Trees. Maison et arbres.
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Paul Cezanne House in Provence. Maison En Provence.
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Paul Cezanne Madam Czanne In A Red Armchair. Madame Cézanne dans un fauteuil rouge.
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Paul Cezanne Mont Sainte Victoire 3
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Paul Cezanne Mont Sainte Victoire With Large Pine. Mont Sainte Victoire avec Grand Pin.
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Paul Cezanne Mont Sainte-Victoire 4
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Paul Cezanne Mont Sainte-Victoire Seen From Bellevue
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Paul Cezanne Portrait Of Gustave Geffroy
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Paul Cezanne Pyramid Of Skulls
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Paul Cezanne Rocks at Fontainebleau. Rocks in the Forest.
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Paul Cezanne Still life in basket or The kitchen table
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Paul Cezanne Still Life With Apples
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Paul Cezanne The Basket of Apples. Le panier de pommes.
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Paul Cezanne The Bather. Le Baigneur.
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Paul Cezanne The Bathers. Les Grandes Baigneuses.
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Paul Cezanne The Boy In The Red Vest. Le Garçon au gilet rouge.
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Paul Cezanne The Brook. Eau courante en sous bois.
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Paul Cezanne The Card Players. Les Joueurs de cartes.
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Paul Cézanne The Four Card Players. Les quatre joueurs de cartes.
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Paul Cezanne The Gulf of Marseilles Seen from L Estaque. Le Golfe de Marseille vu de L’Estaque.
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Paul Cezanne The Pool At Jas De Bouffan. Le Bassin du Jas de Bouffan.
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Paul Cezanne Turning Road St Montgeroult. La Route tournante à Montgeroult.
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Showing all 29 results